I’m going to give everything one last listen through, finalize my rankings, and pre-format everything. Let’s say I’ll get this started in about an hour unless I get inspired to say something way over the line and eat a temp ban in the Rush Limbaugh thread.
In 12th place, earning 1 point - Junior Parker - “Tomorrow Never Knows”
The final track on Revolver, “Tomorrow Never Knows” is a trippy, LSD-inspired track that influenced the psychedelic music genre. Having never dropped acid, I don’t know if the song is the effective rendition of the psychedelic experience that some say it is, but if it is, then count me out. While I appreciate the attempt to push boundaries, I find the electronic effects to be annoying and not something I wish to listen to for more than a song at a time. Junior Parker, an inductee into the Blues Hall of Fame, included his version on 1971’s Love Ain’t Nothin But a Business Goin’ On, which also includees covers of “Taxman” and “Lady Madonna”. This cover eschews those effects, which make it more bearable, but what’s underneath those effects turns out be a bit too slow and ponderous for me to really enjoy.
In 11th place, earning 2 points - Johnny Cash - “In My Life”
Originally a song on 1965’s Rubber Soul, this track comes from 2002’s American IV: The Man Comes Around. This is nowhere as near as strong of a track as “Hurt”, from the same album, where the weary old man vibe resonates more with the lyrics. While the song could be interpreted as Cash looking back on a long life, it feels a bit too much like “old man sings karaoke” for me to rate it higher.
In 10th place, earning 3 points - Nick Cave - “Let It Be”
Comments: Maybe I’m weird for liking Nick Cave, but something about this cover just grew on me, and now I like it almost as much as the original. And the original is one of my favorite Beatles songs. I know Nick Cave is an acquired taste…I just hope it’s one that you’ve also acquired ;)
The title track of the Beatles final studio album, released in 1970. From 2001’s I Am Sam soundtrack. The movie had been planned with the original songs in mind, so much so that it had already been sequenced with them. When it became impossible to use the original versions, the filmmakers commissioned a soundtrack that had to match the originals in length and tempo exactly. This led to several tracks which were well-performed but not that special. This is one such version.