The sexuality is a huge part of season 2, but I think the overriding theme is that quality of relationships matters more than material wealth.
Really? Wow I totally disagree lol. Which character do you think is an exemplar of that?
I donāt think the series has an easily packaged moral message. The characters who use their sexuality the most to achieve their ends (Lucia, Mia, Daphne) end up winning, basically. I think the series is arguing that Daphne is correct ultimately that mystery is a core element of sexual relationships. Harper and Ethanās relationship is rekindled precisely because neither of them knows quite what happened but both of them senses that the other is not to be taken for granted anymore.
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That, sir, is the Aussie national anthem
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Jack Ryan. 1 episode in. Fun but nothing to write home about.
Bourne without the amnesia
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I agree that itās a film geared towards book readers, but the score is objectively phenomenal (it won the Oscar iirc). And visually boring? Iām just confused. Iāve heard lots of (valid) critiques with the plot from a non-reader, but visually and musically boring is a first.
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Yes, thatās a valid interpretation and I donāt think itās really inconsistent with what I said. Both season 1 and 2 call to mind the old Louis CK commentary that everythingās amazing but nobodyās happy.
Albieās dad even literally just gives away material wealth to gain some ground in his relationship with his wife. This is portrayed unquestioningly as a net win for him.
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I didnāt like it much due to the poor narrative but visually and the score were outstanding.
Since this is purely a sensory opinion I donāt think I can explain it that much (nor convince anyone), but I think this has to do with :
(1) the constant monochrome aspect for the visuals
(2) the āyellow filter + pseudo-oriental instrumentsā for the score
which are respectively one of the worst things about modern movies and just a bad clichƩ that will always make me roll my eyes (admittedly partly on me, noone forced me to watch all these Alias episodes years ago)
(although thinking about it a little bit, āArrivalā was already pretty monochrome, and I still loved itā¦there was something about the way that movie was shot that immediately made it feel like you were watching something special, and I agree with funcrusher that Villeneuve did not bring that energy to Duneā¦)
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Yeah, I listened to the score last night and itās really good. I went into a deep self reflection and realized that not understanding what was going on colored everything else.
I am guilty of sometimes overhyping things and ruining first watches. Zimmerās scores are essentially extensions of idm music from the late 90ās. In the same way you might hear a seminal intelligent drum and bass work and be underwhelmed since itās a chicken or the egg situation, that can happen for me since music is the key determinant if Iām going to enjoy a film.
Anyways, Iām looking forward to watching it again. I value your sci fi recommendations pretty heavily. I actually thought of an album last night that is an analogue in my mind of what this film is after reading what people who really enjoyed it thought. āModus Operandiā by Photek.
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I read Darth Sidious and then re-watched The Phantom Menace and really liked it. I guess it helps immensely to have an awesome book flesh out all the loose ends for your movie.
Also, I really loved Revenge of the Sith. Iād say itās in my top 3 after 5 and 4.
In 2 hrs 20 minutes you get:
Space battle over Coruscant - great scene
Palpatine/Anakin opera scene - great
Sidious v. Mace and Anakin becoming Vader - epic
Order 66 executed - epic
Vader executes children
āSo this is how liberty diesā¦ā - Empire is born
Simultaneous Sidious v. Yoga and Obi-Wan v. Vader - Epic
Luke and Leia born
Darth Vader officially born, his first breath, his first lines as Vader - epic (Iām gonna ignore the meme-worthy nooooooo)
Final scenes: Death Star being built, Leia to Alderaan, Luke to Tatooine
So many great moments in Star Wars history, I donāt see how anyone can hate it. And IIRC, the trademark Lucas cringe dialogue was kept to a minimum in this one compared to 1 and 2.
I re-watched every Star Wars series in chronological order recently (cartoons, live action, movies, etc.) and read a couple books, and I think that greatly bolsters the prequel experience.
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So much this.
I think we have all been burned out on the insides a bit by modern miniseries. The effects of that ephemeral crack hit that you get from a series that might not even deliver a conclusion isnāt accounted for when judging SW with post HBO brain.
Also, I hope I live long enough to see the younglings give The Matrix the Star Wars treatment.
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RLM nailed it (as usual) with yoda and the lightsaber imo
and
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lol āYes, I know they both tried to do more advanced things first, like throw rocks at each other.ā
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Lol classic and IIRC his rant over TPM is what shot him to fame.
Itās a desert.
I mean, itās a story about space Islam / the Arab world + the white savior trope. Itās a cliche now because of Frank Herbert.
I rewatch the reviews every couple of years (and will probably have to do a rewatch now) theyāre just funny and actually informative about filmmaking 101 type stuff. The serial killer gimmick thing doesnāt hold up that well but the actual content of the reviews is still great (some dodgy language aside hard Rs etc) I literally donāt think Iāve ever seen the second movie but I feel like I know every story beat lol.
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God damn this trailer still gives me an erection that lasts longer than 4 hours. Zimmerās Eclipse cover is just perfect.
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His earliest stuff was incredible. Same about watching those first two reviews multiple times a year. I also looooooved his review of Star Trek Generations and First Contact. He points out the most absurd stuff about movies I love, and his historical retrospective of Trek via his reviews is the best there is.
But right the serial killer stuff got old quick, and I canāt watch any of the stuff that came afterward eg Half in the Bag. I wish heād gone the route of FilmCritHulk and slowly embraced an occasionally more serious persona.
I think itās deeper than this, especially in later books. Things gets pretty dark and morally ambiguous for House Atreides and thereās no happy ending. The Fremen are just pawns in a galactic game and even in the first book itās pretty clear theyāre being used, not saved. Thatās even visible to some degree in Villeneuveās Part 1.
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