El Sapo Writes

Hello Unstuck!

In this thread I plan to write about a lot of things, but my primary target will be writing and storytelling.

As long as I can remember, I’ve been a writer. Someone praised a story I wrote in elementary school and that was it. Over decades I’ve written for a lot of publications, mostly doing journalism. I’ve covered energy, education, chemical regulation, business, breaking news, politics, written travel pieces, covered disasters …

I also write my “own” stuff … zines and short stories, fiction and poetry. Stuff that doesn’t pay well, if at all. I sell it via an Etsy shop and at a local farmers market, but the process is really more about connection than dollars.

Recently, I have decided to re-dedicate myself to writing something sellable. Sucks to think of it that way, but daily journalism is a hard way to make a living and eventually I’d like to get off this train.

My ultimate goal is to making a modest living writing and selling my own fiction and other words. I want to stop working for other people. How I will go about this, well … hence this thread.

Along with writing, I’ll probably post about:

  • Consciousness expansion
  • Mental health
  • Drugs (cannabis, psychadelics)
  • Off-grid living
  • Van life
  • Art

I wont link to my journalism work, just to try and cut the connection between here and RL a bit. Happy to answer any questions, I’ve spent 20 years working in wonky DC journalism circles. I still cover policy, just working remotely.

After 15 years in the city I’d had enough; but now after four years living in the woods, I wonder what’s next.

I’ll post a few examples of stuff I’ve written, as well as what I’m working on.

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Here is a zine/illustrated poem I have been selling for several years. I’ve probably sold about 100 paper copies of this.

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Here is a short story I wrote a couple of years ago and included in a recent zine.

The Bar at Purgatory

You push through the doors and for a moment are standing in darkness. There is a gust of wind as the doors swing closed, and your eyes begin to adjust. Shapes emerge. In front of you is a dimly-lit bar, beautiful wood that curves through the room, with torn, red plastic stools and a short row of taps.

You sit and nod to the bartender and he slides across a beer and a shot. You didn’t order, but it’s what you would have. Have you been here before?

The jukebox is just background noise, not a song only a presence, and no television, just that midday hum common to dives where the patrons have nowhere to be and nothing to say.

“Thanks,” you say, and the bartender nods back. The napkins and coasters all say “God’s Bar,” and so you ask the question.

“Are you God?”

The bartender just gives a half smile and shakes his head. He’s heard the joke before, of course, twice already from you, but he acquiesces and tilts his head slightly, indicating a dark corner of the room.

“That’s the owner,” he says, motioning towards a man sitting by himself holding a newspaper.

“God reads the news?”

“That’s the racing form. He likes to bet.”

“Seems like he’d have an advantage.”

“You’d think, but he says the bookies are pretty good.”

You shrug and sip your beer, the cold bubbles soothing the back of your throat. You drink the whiskey. It’s nothing special but it doesn’t burn too badly and so you order another.

You turn around on your stool and examine the narrow room. The bar itself is scratched and scarred but appears well cared for. It is a long, dark wooden bar that doesn’t end so much as disappears off into the shadows. There are a few other people, two men and a woman, and they are all sitting alone. No one appears interested in conversation, just a place to wait out the day.

“So what’s God drinking?”

“Daiquiris.”

“Seriously?”

“He changes it up, but he does have some strange orders. Most days though, it’s just a beer.”

You peer into the darkness, trying to make out the man’s face.

“How long have you been working here?”

“Longer than you’d believe.”

You look around and nod. The place is familiar. “I’ve been here before,” you say, to no one in particular but the bartender notices.

“That’s right,” he says.

You shrug, playing it off, but you don’t remember this place. It is only the overwhelming sameness, beyond anything possible in anonymity or newness, which makes it so apparent. But you don’t recall; can’t remember. Where were you just before?

“I don’t remember,” you say, now speaking to the bartender. He’s listening.

“It’s fine,” he says. “You don’t have to.”

But you want to remember. Then, you feel you should remember. And suddenly there is the overwhelming need.

“When was I here last?”

“Does it matter?”

Does it? It feels like it does, the gnawing in your gut like waking up after a long drunk, memories with hazy spots that finally turn to darkness: What happened? Where were you?

“It seems like it should matter. I just don’t remember.”

The bartender puts down his towel and turns, serious. “You won’t. I have the only memory in this place, and trust me, it’s overrated.”

You finish your drink and look around. Other shapes lean over the bar, drinking their own. The bartender asks if you want another.

“Same thing?”

“I don’t know.”

“Maybe it’s time for something new?”

“Pour me something.”

The bartender hesitates. “You sure?”

“Let’s see what you’ve got.”

“It’s strong.”

“Good. Something to wake me up.”

The bartender turns and begins mixing, hands moving deftly, practiced. It is a simple drink, over ice, and looks like something you’d want on a hot summer day. You sip, and it is slightly sweet but in the place where you expect the alcohol, instead there is a lightness and purity that washes over the back of your tongue and into memories long forgotten.

You drink the drink in one long, refreshing gulp, feeling it wash over all the scars of a life gone by and as you reach the bottom, sucking on the ice cubes like a kid searching for the last drop of soda, you are free.

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Recently, I’ve been writing what I envision as a novella–maybe 50k words. I’m about 20% there. A first person account of two young people on a cross-country road trip. Initially, I envisioned this as a blog and planned to essentially post it for free and try and use the content to funnel readers to other stuff.

But that’s not gonna work, I suspect. And misses the opportunity. … this story, “Van Lives: Taking the Long Way,” has a built-in audience and I am at least somewhat knowledgeable of the social media community that would be needed to put word out.

So now I’m thinking to finish it and publish it … as a novella maybe, for Kindle. Have thought about Medium or Patreon … I used to think about bringing readers to my own site, but I think that as appealing as the idea is, it tries too hard to reinvent the wheel and misses the facts of today.

Anyway, if anyone is curious enough to check it out, you can read the first section of Van Lives here.

It is password protected right now: “vanvan”

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It is the penultimate farmers market and the weather has changed. It’s dreary and shitting rain. Most vendors packed it in two weeks ago, and I’m set for three hours of driving precipitation and Irish folk music, with checks around … zero customers.

Just a guy in the rain with a sad stack of zines and a photographs.
You know how much paper loves humidity.

This season at the market was mostly reconnaissance. … I think there is potential. Next year I need to much wider range of “products.” Get some of the more popular photos on coffee mugs and stuff. And signage. Need signs so people know wtf they’re looking at.

Just sold a small photo, mounted on wood. My visual art tends to sell better than words. … I have a few images that sell ok, will post here later.

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No worries! Here’s a few of the photographs I have taken over the years that people respond to and sometimes buy.

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Procrastination

What’s the greatest nation? Yeah.

I went into this weekend with plans to re-read “Van Lives” and then (1) decide in earnest whether to continue it; (2) figure out what happens next; (3) write the next section. None of that happened.

Instead I did some journalism work, writing about the clusterfuck that is California’s wildfire mess, and then worked on these:

Oil pastel on card catalog cards.

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The Best Compliment

A few stick. Over the years people say things and I remember them–the things that made me feel great, and the ones that didn’t. Mostly, I suspect this is a Bad Thing. Holding on tight to that ego, feeling I Am that ego … probs no bueno.

But there’s one that wasn’t about me. About six years ago I wrote this four-part noir series called “Conspiratorial.” It was designed to look like a crackpot put it together (and maybe they did) … the story was about a conspiracy-minded government worker trying to convince an out-of-work journalist that he’s stumbled on to a real story.

It was very D.C., but not politics. I wrote it basically set in all the places I loved in the city.

I made “clues” and included them with the newsletter, which showed up in brown paper envelopes either by mail or in comic book shops. Well. One comic book shop.

So anyway, after the first issue came out I got an email. It just read, “When does the next Conspiratorial come out?”

That’s one of the most positive things anyone has ever said about my writing. It was completely unconnected to Me–this person, I didn’t know them. It was just a way of saying the story I’d written made them want to know more, find out what happened next.

Sometimes I didn’t know who I was writing it for, besides myself–but after that I did know I was writing for THAT person.

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